The announcement of the winner of the Man Booker International Prize this week highlights again the growing importance of literary prizes in the international book world. Read more
It's a measure of the growing interest in short stories, amongst both writers and readers, that Costa launched its short story prize in 2012 and that the public is currently invited to read and listen to the shortlisted stories selected from over 1,000 entries on the Costa Book Awards website, and to take part in the public vote. Read more
This year's Booker result raises so many interesting issues that a longer report on Frankfurt, the Book Fair and other issues relating to international publishing will come next week. The links this week give a clue to the many themes that Paul Beatty's win with The Sellout has raised. Read more
Sometimes an author seems to step new-minted into bestsellerdom and, even rarer, literary acclaim. Lisa McInerney is such a writer and her winning of the Bailey Prize earlier in the month, followed by the Desmond Elliott Prize this week, marks a remarkable debut. Read more
Nick Clee asks in this week's Bookbrunch if you need to transcend a prize to win it, inspired by the Costa win by Frances Hardinge's children's book. Read more
This week's story was to have been on the rise in support for short stories, until, that is, Marlon James had his stunning Man Booker Prize win last night. Read more
The longlist for this year's Man Booker Prize is both diverse and international, with a wide range of different kinds of writers and a number of debuts. The longlist features three British writers, five US writers and one each from the Republic of Ireland, New Zealand, India, Nigeria and Jamaica. Read more
When John Spurling won the £25,000 Walter Scott Prize for Historical Fiction recently with The Ten Thousand Things it was much more than a good win against a formidable shortlist, which included Martin Amis, Helen Dunmore, Adam Foulds and Kamila Shamsie. Read more
The growth of literary prizes of one kind and another seems unending, although it's a pity from the point of view of unpublished writers that so many of them are restricted to books which have come from traditional publishers. Read more
Eimear McBride's A Girl is a Half-Formed Thing is having an extraordinary impact. Now that it's won the new Bailey Women's Prize (successor to last year's Women's Fiction Prize and the Orange Prize), there seems to be no stopping the author. Read more
'I was trained by poetry where you can just write ambience and atmosphere. But in a novel, if there's not a story that people are interested in, with characters that they care about, they'll close the book.'
In the third in a series on the implications of AI for publishing, Nadim Sadek argues that effective advertising is now feasible for everyone, and for all kinds of titles
A publishing friend of mine recently told me about a sales report they'd received from a major retailer in which some of their books had zero sales. It turned out that there had been plenty of sales, however-they just all went to counterfeiters. In case you think this is an outlier, it's not. Counterfeiting is a serious, nontrivial problem facing the industry.
If you read the recently unsealed materials from the federal antitrust lawsuit against Amazon, you'll see why the company wanted to keep them under wraps. According to the unredacted notes from one meeting, Jeff Bezos directed his team to stuff more ads into search results, even if it meant accepting more ads internally categorized as irrelevant to what users were looking for. Read more
The U.K. Publishers Association (PA) was established in 1896 and is a cornerstone of the British publishing industry, working with a diverse array of companies to promote innovation, collaboration, and commercial success. Read more
With English as a shared language, there is a natural relationship between the American and British publishing industries. Most of the world's top publishing companies, be they conglomerates or independent publishers, have operations in each country, typically in New York City and London. Literary traffic travels both ways across the Atlantic.
The UK is experiencing a boom in book clubs, according to new data from event listing companies.
Book club listings on the ticketing site Eventbrite increased by 350% between 2019 and 2023 - a "much stronger" growth than the overall increase in UK-based listings over the same period. Between 2022 and 2023 alone, book club listings on the site rose by 41%. Read more
"We don't understand the consequences of AI with regards to copyright," Brazil's Karine Gonçalves Pansa, president of the International Publishers Association (IPA), said, when asked to name the most important issues facing publishing right now. "We can say, very easily, that our content is being used, without permission, and without license, by AI."
'Say all you have to say in the fewest possible words, or your reader will be sure to skip them; and in the plainest possible words or he will certainly misunderstand them.'