In this article, screenwriter, script consultant, and NCW Academy tutor Christabelle Dilks shares the aspects of creating compelling characters for film or television drama.
In this article, writer and NCW Academy tutor Molly Naylor shares five aspects of scriptwriting that she found the trickiest to absorb early in her writing journey.
During my awkward teenage years, I produced a lot of angst-ridden poetry on topics such as boredom and unrequited love. I kept those poems in a trunk with a stack of short stories that were also about things that seemed important to teenage me, like the unfairness of parents and teachers. I always thought that one day I would try to write a novel. Read more
I know that writers often feel that the screen adaptation of their work is an inferior-sometimes even an embarrassing-take on the original. Writers say: I told myself that a novel and a film are two different things. Once you sign that contract with Hollywood, let it go. It's out of your hands.
When author and illustrator Ariella Elovic drafted her book proposal for Cheeky: A Head-to-Toe Memoir, she never considered that the graphic memoir about body acceptance might one day become a television series. Read more
It was author David Finkel who taught me to "report cinematically." This was key, he argued, to writing a story that feels like a movie, using the variety of camera angles available to the cinematographer, from wide establishing shots to extreme close-ups. Read more
If you want a preview of next year's Emmy Awards, just take a walk past your local bookstore. According to data drawn from Publishers Marketplace, the industry's clearinghouse for news and self-reported book deals, literary adaptations to television have been on a steady climb. Read more
Four years ago, after several decades writing for TV and film, I decided to attempt a novel, something I had always wanted to do but feared to start. The idea for Reckless came from a magazine article about agencies that arrange discreet affairs for the happily married. Read more
‘I always quote Kurt Vonnegut. He said in the early part of his career he was dismissed as a science fiction writer and that critics tend to put genre books, including sci-fi, in the bottom drawer of their desk... It's true. I get the New York Times every Sunday. In 37 novels, I've never had a stand-alone review. I'm always in the crime round-up.
A survey of 787 members of the Society of Authors (SoA) has found that a third of translators and a quarter of illustrators have lost work to generative Artificial Intelligence (AI) systems. Translators are also more likely to use AI to support their work, with 37% of respondents saying they have done so, followed by 25% of non-fiction writers.
The author Lynne Reid Banks, known for her novel The L-Shaped Room and her children's book series The Indian in the Cupboard, has died at the age of 94.
I launched my podcast Making It Up nearly three years ago with the goal of interviewing writers not for any particular work of theirs, but to talk to them about their lives. I didn't want to ask them what famous author they want to have dinner with or what their top five favorite books are ... yech. Read more
Until we have a mechanism to test for artificial intelligence, writers need a tool to maintain trust in their work. So I decided to be completely open with my readers